The guild’s restrictions — far more rigorous than other guilds — require that scripts be produced under WGA jurisdiction or under a collective bargaining agreement in Canada, Ireland, New Zealand or the U.K. The WGA had no immediate comment on the exclusions, but the restrictions on eligibility are a longstanding practice at the guild. Other notable screenplays excluded include Peter Morgan’s screenplay for “Rush”; Ryan Coogler’s script for “Frutivale Station”; “Philomena,” written by Steve Coogan and Jeff Pope and “Mandela: Long Walk to Freedom,” penned by William Nicholson. Voting to determine the WGA’s nominees launched Tuesday on 95 eligible screenplays — 41 in the adapted category and 54 in the original category. The guild’s restrictions also require that the scripts be formally submitted for consideration. Leaders of the WGA, which has been the ultimate arbiter of screenplay credits since 1941, have said in past years that they don’t intend to loosen the qualifying rules. Unlike the other guilds, the WGA is the final arbiter on screenplay credits. WGA East president Michael Winship told Variety earlier this year that there’s no plan to change the WGA policy. “We feel very strongly that the awards should honor members and signatory producers,” Winship noted. Other exclusions include Edgar Wright’s “The World’s End,” Abdellatif Kechiche and Ghalia Lacroix’s “Blue Is the Warmest Color,” Asghar Farhadi’s “The Past,” Sebastian Lelio and Gonzalo Maza’s “Gloria,” Richard Curtis’ “About Time,” David Lowery’s “Ain’t Them Bodies Saints,” Destin Cretton’s “Short Term 12″ and Lake Bell’s “In a World.”
Ridley’s “12 Years” script received a screenplay nomination last week for the Independent Spirit Awards and Bell’s script for “In a World” took a best first screenplay nod.
Notable original screenplay candidates that are on the WGA ballot include Bob Nelson’s script for “Nebraska,” Alfonso and Jonas Cuaron for “Gravity,” Nicole Holofcener for “Enough Said,” Woody Allen for “Blue Jasmine,” David O. Russell and Eric Singer for “American Hustle,” Spike Jonze for “Her” and Joel and Ethan Coen for “Inside Llewyn Davis.”
High-profile adapted screenplay contenders on the WGA ballot include Terence Winter for “The Wolf of Wall Street,” Billy Ray for “Captain Phillips,” Tracy Letts for “August: Osage County,” Jason Reitman for “Labor Day,” Peter Berg for “Lone Survivor,” Steve Conrad for “The Secret Life of Walter Mitty” and “Before Midnight” by Richard Linklater, Julie Delpy and Ethan Hawke.
Christopher Nolan brought up the exclusion issue at the WGA Awards show in February, 2011. In his acceptance speech for winning the original screenplay trophy for “Inception,” he asserted that he had been “crushed” when he found out that his “Memento” script — which was Oscar-nominated — was ineligible for the WGA Awards a decade earlier.
“Nothing is more important than recognition by my peers,” he added. “I hope next year the person who stands up here can give thanks without qualification.”
“Inception” was nominated for a screenplay Oscar but lost out to “The King’s Speech,” which wasn’t eligible for a WGA award.
Chris Terrio’s script for “Argo” and Mark Boal’s for “Zero Dark Thirty” won the WGA screenplay awards in February. Terrio also won the Oscar in the adapted category but Boal lost out in the original contest to Quentin Tarantino’s script for “Django Unchained,” which had been ineligble for WGA voting.
Scripts for “Beasts of the Southern Wild” and “Amour” were also excluded from WGA voting, then went on the secure Oscar nods.
The WGA is set to announce its screenplay nominees Jan. 3, and its awards show will be held Feb. 1 in simultaneous ceremonies in Los Angeles and New York.
The Hitfix.com site first reported the exclusions.
The original screenplays: “42″ by Brian Helgeland; “A.C.O.D.” by Ben Karlin and Stuart Zicherman; “After Earth” by Gary Whitta and M. Night Shyamalan; Story by Will Smith; “Afternoon Delight” by Jill Soloway; “All Is Lost” by J. C. Chandor; “American Hustle” by Eric Warren Singer and David O. Russell; “Blue Jasmine” by Woody Allen; “The Brass Teapot” by Tim Macy; Story by Ramaa Mosley and Tim Macy; “The Canyons” by Bret Easton Ellis; “Charlie Countryman” by Matt Drake; “The Conjuring” by Chad Hayes & Carey W. Hayes: “The Counselor” by Cormac McCarthy; “Dallas Buyers Club” by Craig Borten & Melisa Wallack; “Dancing on a Dry Salt Lake.” by Dominique De Fazio; “Don Jon” by Joseph Gordon-Levitt; “Elysium” by Neill Blomkamp; “Enough Said” by Nicole Holofcener; “Frances Ha” by Noah Baumbach & Greta Gerwig; “Gimme Shelter” by Ronald Krauss; “Girl Most Likely” by Michelle Morgan; “Go For Sisters” by John Sayles; “Gravity” by Alfonso Cuaron & Jonas Cuaron; “A Haunted House” by Marlon Wayans & Rick Alvarez; “Haunter” by Brian King; “The Heat” by Katie Dippold; “Her” by Spike Jonze: “Inside Llewyn Davis” by Joel Coen & Ethan Coem; “The Internship” by Vince Vaughn and Jared Stern; story by Vince Vaughn; “It’s a Disaster” by Todd Berger; “Jayne Mansfield’s Car” by Billy Bob Thornton & Tom Epperson; “Kill Your Darlings” by John Krokidas & Austin Bunn; Story by Austin Bunn; “Lee Daniels’ The Butler” by Danny Strong; “The Lifeguard” by Liz W. Garcia; “Lovelace” by Andy Bellin; “Mother of George” by Darci Picoult; “Mud” by Jeff Nichols; “Nebraska” by Bob Nelson; ” One Chance” by Justin Zackham; “Out of the Furnace” by Brad Ingelsby and Scott Cooper; “Pacific Rim” by Travis Beacham and Guillermo DelToro; Story by Travis Beacham; “Peeples” by Tina Gordon Chism; ” Prisoners” by Aaron Guzikowski; “Saving Mr. Banks” by Kelly Marcel and Sue Smith; “Side Effects” by Scott Z. Burns; “Spring Breakers” by Harmony Korine; “Stoker” by Wentworth Miller; “A Teacher” by Hannah Fidell; “Thanks for Sharing” by Stuart Blumberg & Matt Winston; “The To Do List” by Maggie Carey; “To The Wonder” by Terrence Malick.
Adapted screenplays on the ballot: “Admission” by Karen Croner; “Anchorman 2: The Legend Continues” by Will Ferrell & Adam McKay; “August: Osage County” by Tracy Letts; “Austenland” by Jerusha Hess & Shannon Hale; “Baggage Claim” by David E. Talbert; “Before Midnight” by Richard Linklater & Julie Delpy & Ethan Hawke; “Black Nativity” by Kasi Lemmons; “The Bling Ring” by Sofia Coppola; “The Book Thief” by Michael Petroni; “Captain Phillips” by Billy Ray; “Carrie” by Lawrence D. Cohen and Roberto Aguirre-Sacasa; “The Company You Keep” by Lem Dobbs; “Emperor” by David Klass and Vera Blasi; “The Fifth Estate” by Josh Singer; “G.I. Joe: Retaliation” by Rhett Reese & Paul Wernick; “The Great Gatsby” by Baz Luhrmann & Craig Pearce; “Hansel & Gretel: Witch Hunters” by Tommy Wirkola; “The Hobbit: The Desolation of Smaug” by Fran Walsh & Philippa Boyens & Peter Jackson & Guillermo Del Toro; “Homefront” by Sylvester Stallone; “The Host” by Andrew Niccol; “The Hunger Games: Catching Fire” by Simon Beaufoy and Michael deBruyn; “Jackass Presents: Bad Grandpa” by Johnny Knoxville & Spike Jonze & Jeff Tremaine; “Labor Day” by Jason Reitman; “Lone Survivor” by Peter Berg; “Machete Kills” by Kyle Ward; “Man of Steel” by David S. Goyer; “Much Ado About Nothing” by Joss Whedon; “On The Road” by Jose Rivera; “Pain & Gain” by Christopher Markus & Stephen McFeely; “Parkland” by Peter Landesman; “Prince Avalanche” by David Gordon Green; “The Reluctant Fundamentalist” by William Wheeler; “The Secret Life of Walter Mitty” by Steven Conrad; “The Smurfs 2″ by J. David Stem & David N. Weiss and Jay Scherick & David Ronn and Karey Kirkpatrick; “The Spectacular Now” by Scott Neustadter & Michael H. Weber; “Star Trek Into Darkness” by Roberto Orci & Alex Kurtzman & Damon Lindelof; “This is the End” by Seth Rogen & Evan Goldberg; “Thor: The Dark World” by Christopher L. Yost and Christopher Markus & Stephen McFeely; “What Maisie Knew” by Nancy Doyne & Carroll Cartwright; “The Wolf of Wall Street” by Terence Winter; “World War Z” by Matthew Michael Carnahan and Drew Goddard & Damon Lindelof.
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